Formed in 2004, Red Molly reinvented themselves in 2017 as a five-piece band. The band combines the forces of three songwriters with unique character and style, creating a show that is larger than life. Known for their harmonies, their songs and arrangements show a love of vocal blend. The band weaves together threads of American music—from country & blues to folk & bluegrass. Their innovative instrumentation is suited for roots-rock and heartful ballads alike. The alchemy of their personalities onstage draws even back row listeners into a sense of intimacy.

Singing spine-tingling high notes, Abbie Gardner is an improviser from a musical family. A consummate performer, her songs and performance have the punch of rhythm and blues. Playing guitar and tambourine, Laurie MacAllister draws inspiration from classic folk and singer-songwriters. Her voice stretches octaves, warm and romantic one moment, playful and subversive the next. Molly Venter has a smoky voice that is unforgettable, and a moody approach to song-smithing. Quirky and fashion-forward, she moves in step to the music while playing guitar and tambourine. Upright bassist Craig Akin and percussionist and electric guitarist Eben Pariser fill out the sound, giving the show a broad range of musical options—from complex and hard-hitting to sparse and delicate. They remain a dominant force on the Americana/Folk scene due in part to their laughter and spontaneity onstage. Red Molly is simply a joy to experience.

Before the performance starts, there will be a Q&A with the band as we record an episode of Hangin’ & Sangin’, A podcast and radio show hosted by music journalist Kelly McCartney, Hangin’ & Sangin’ offers up casual conversation and acoustic performances by some of your favorite roots artists, from Americana to folk, country, blues, bluegrass, Southern soul, and rock & roll.

Come at 8 pm for an intimate interview that promises to give you a deeper look at both the humanity and artistry of this week’s guest. The performance will start immediately following.